Master Class: DSI OB-6

It’s no exaggeration to say that Dave Smith Instruments’ OB-6—a true collaboration with Tom Oberheim—has quickly become one of the most sought-after analog polysynths of the 21st century. By combining elements of Smith’s own Prophet 6 with the filter topology of the Oberheim SEM, the OB-6 is capable of textures that are unlike any other analog poly to date.

For this Music Radar Master Class, I won’t be rehashing the generalities of analog synthesis. Instead, the focus is on programming tricks and techniques that highlight the possibilities lurking within the OB- 6. It’s also worth noting that several of the tricks in this tutorial also apply to the Prophet 6, thanks to its similar architecture, so proud owners of that synth may find a few tidbits they can use as well.

LINK: https://www.musicradar.com/how-to/how-to-master-the-dave-smith-instruments-ob-6

Master Class: Korg/ARP Odyssey

Back in the early ’70s, the Moog vs. ARP “war” was just as passionate as the Mac vs. PC debate is today. At the time, the Minimoog and ARP Odyssey were the two dominant mainstream monosynths. On the Moog side, the Mini offered three oscillators, Bob’s massive filter, and ease of use. On the ARP side, the duophonic Odyssey included lowpass and highpass filters, hard sync, ring mod, and incredibly sophisticated modulation resources.

Korg’s ARP Odyssey re-issues are available in a tabletop version, a module version, and the Odyssei app.

Even now, the classic Odyssey’s features are capable of textures that we normally associate with modular gear, which makes sense as the Odyssey was basically a slimmed-down version of the 2600—arguably the synth that first brought modular to the masses. So with Korg’s reissue of the Odyssey available in three formats (keyboard, module, and the Odyssei iOS app), my Music Radar masterclass takes a closer look at its vast capabilities, using the tabletop version as our frame of reference.

LINK: https://www.musicradar.com/how-to/how-to-get-the-most-out-of-the-korg-arp-odyssey

Master Class: Roland TR-8S

With the introduction of the TR-8S, Roland not only advanced the popular TR-8’s sequencing tools and iconic sound, but added sample import (via SD card) and expanded its editing features to a point where it truly is an instrument in its own right. Between performance-oriented patterns and sophisticated sound design amenities, you’ll get the most from this beast once you understand how to mold its sonic resources to match your artistic identity.

I'm also testing the waters for expanding this blog to include downloadable presets and examples for selected educational material. If you already own a TR-8S, below is a link to two original kits (with patterns) based on custom analog drum samples I created last month.

Master Class Link: https://www.musicradar.com/how-to/how-to-master-the-roland-tr-8s

Download the TR-8S kit/patterns  [Instructions included]

Master Class: Novation Peak

Novation Peak

The Novation Peak has generated a serious buzz in the synth community by combining its innovative Oxford oscillators that deliver analog-grade resolution with a fully analog signal path, as well as modulation options such as polyphonic aftertouch and a pair of Animate buttons capable of real-time patch morphing.

With a front panel packed full of familiar controls, Peak gives you direct access to these and many other important functions. This Music Radar masterclass digs deeper into the synth, unveiling a world of functionality that sets it apart from many modern polyphonics. In this tutorial, I investigate those options.

LINK: https://www.musicradar.com/how-to/how-to-get-the-most-out-of-the-novation-peak

Master Class: The Minimoog Paradigm

Minimoog Model D

The synth that started it all.

Make no mistake, the Minimoog Model D was the synthesizer that kickstarted our industry. Its architecture has been the basis for countless analog monosynths to follow and its sound remains so distinctive that Moog recently reissued a circuit-perfect, limited-edition version for those with a devotion to authenticity.

But the modern era has brought us software and hardware versions of the Minimoog architecture that update the synth’s essential characteristics in ways that reflect the march of technology since 1971. For example, the Arturia Mini V has modulation amenities that would be impossible to do with analog hardware alone, whereas the Roland SE-02 offers far more flexibility than the original. And ApeSoft Mood, an iOS take on the Mini, approaches the original’s iconic filter behavior while adding sampling and FM to its array of Moogish oscillators. Consequently, if you’re in the mood for a Model D but can’t afford the real thing, these hardware and software interpretations can get you there, but with greater flexibility than the original and at a price that won’t break the bank.

My Music Radar masterclass shows you how to get the most out of of each of these synths.

LINK: https://www.musicradar.com/how-to/how-to-get-the-best-out-of-the-moog-model-d-and-3-emulations

Master Class: Korg Prologue

If you’ve read the specs, Korg’s new Prologue polysynth is far more complex than either of its siblings—the Minilogue and Monologue—though it shares their heritage. Consequently, the Prologue’s analog side is similar, but with a few notable upgrades.

The Prologue’s digital side, however, has some groundbreaking innovations. This Music Radar Master Class takes a close look at its synthesis engine and explains how to make the most of it.

LINK: https://www.musicradar.com/how-to/the-ultimate-guide-to-getting-the-most-out-of-the-korg-prologue

Master Class: Korg Gadget

In 2017, Korg expanded Gadget’s range by introducing an identical version for Mac OS, bringing its intuitive approach to the desktop. The full install of Gadget for Mac is bundled with more than 30 plug-ins, including the recording gadgets Zurich and Rosario, as well as a virtualized collection of their most iconic hardware synths.

Though many of Gadget’s synths are so immediately approachable that there’s no real need for tutorials, others can look a bit cryptic to new users. Even if you’re an experienced synthesist, there are nuances in each of the instruments that go beyond the obvious functionality. So, for this Music Radar master class, we’ll dig deeper into the more sophisticated gadgets, exposing possibilities that may not be immediately apparent.

LINK: https://www.musicradar.com/how-to/the-definitive-guide-on-how-to-use-korg-gadget-for-mac

Master Class: Operator

One of my biggest talks at the 2017 Ableton Loop conference was an in-depth studio session on the details of FM synthesis. Having designed presets for Operator since before it was released in 2004, I can honestly say that I have an intimate relationship with its capabilities.

This masterclass for Music Radar revisits some of the topics from my Loop session - and goes deep into the possibilities of this powerful FM and additive synth. Enjoy!

Link: https://www.musicradar.com/how-to/the-definitive-guide-on-how-to-use-operator-in-ableton-live

How 22 Classic Synths Fail

One of the reasons I’ve been moving my studio away from vintage gear in favor of detailed recreations that replicate their sound digitally (like the Roland Boutiques and System-8) or modern analog reissues of classics (Korg Odyssey and MS-20 Mini) is that vintage gear is expensive to maintain in a pristine state.

Of course, some diehard analog fans will remain determined to buff and polish (and repair) their classic synths, which is commendable. In fact, I’m a little jealous that they have the time and resources to keep up with that.

With those fans in mind, this piece from Reverb.com covers the specific component failures of 22 iconic instruments. Whether you’re an owner or just covet one of these rarities, it’s a great read for synth nerds.

LINK: The Most Common Maintenance Issues of 22 Classic Synths (and How to Fix Them)

Updated 09.30.17: Because of the file size of the above article, Apple News on older units will occasionally crash. If so, choose "Open in Safari". This seems to be an isolated case because of the lack of page breaks in the original article. I'll be more vigilant about this in future posts.