Francis Preve

Sound designer. Producer. Professor. Journalist. Author.

Dashcam Paradise - #Vanlife Videos

Over the past few years, I’ve created dozens of dashcam videos from my cross-country road trips.

On these #vanlife road trips, I’m always listening to chill and indie music, so I’ve synced these vids to some of the tracks I listened to on each trip. On my YouTube channel, I’ll link to credits for each artist, to ensure credit where due.

Below is a playlist of the first videos I’m releasing.


I’ll be posting new vids from the collection every Friday until I run out later this year - but I’ve got hours of unused footage—and someday I’ll get back on the road—so maybe the series will continue indefinitely. Hope so.

Here’s the direct link to the YouTube playlist, if you want to keep up with the updates.

Enjoy. Be safe.

Watch + Learn: Tonewheel Organ (Operator, Phase Plant)

Same sound, two different softsynths

Level: Beginner

Platform: Ableton Operator, Kilohearts Phase Plant

Description: The basic format for emulating tonewheel organs like the Hammond B3. Adjustments can be made by changing the volume of the first eight harmonics.

Download Operator Preset: Watch+Learn_AbletonPreset_B3

Download Phase Plant Preset: Watch+Learn_PhasePlant_B3

Master Class: Arturia MiniBrute 2

In this Music Radar masterclass, we’ll look at some interesting sounds you can create using the MiniBrute 2’s patchbay. But first, we’ll look at ways to overcome a few of the instrument’s idiosyncrasies.

For example, the MiniBrute 2 lacks a dedicated mult/splitter, making it impossible to route certain modulation sources to multiple destinations—a requirement that is a staple of many common sounds—without additional gear. A simple fix is to use a stackable 3.5mm cable, such as the Tiptop Audio Stackcable or the Modular Addict Stacking Eurorack Patch Cable.

Despite lacking a few features from the first Mini-Brute (such as the sub-oscillator), the MiniBrute 2 has a  more advanced set of synthesis tools. Recreating familiar patches from the original model, however, requires an altered approach. This tutorial covers the essentials for configuring both the sounds of the original and a few iconic analog standards.

Link: https://www.musicradar.com/how-to/how-to-master-the-arturia-minibrute-2

Listening with Francis Preve

Recently, I had the honor of appearing on The Listening Podcast—a weekly series sponsored by Liquid Cinema. In the podcast, renowned composer Jeff Rona and I discussed my relationship with sound design, DJ culture, synthesis, and the horizons of instrument design.

Below are links to Spotify and Apple Podcasts. Enjoy!

Spotify Link: https://open.spotify.com/episode/4CIqUGcGwYGUo6W44v4eIv?si=yLkokLwASSiwUD1J55cgBg

Apple Podcast Link: https://podcasts.apple.com/us/podcast/listening-with-francis-preve/id1476332977?i=1000455970308

Free Xfer Serum Pack (Winter 2018)

Since last year’s free Serum pack was so well-received, I asked the students in my Synthesis 2 course (at Austin Community College) if they’d be interested in contributing a few sounds for the 2018 pack. There are some truly gifted designers at the school and I really wanted to highlight their talents.

Fortunately, many of them agreed - providing presets for each of the following categories: Bass, Pad, Lead, and Pluck.

With their full permission, I'm sharing the results as a free download for Serum fans. The pack consists of 25 presets covering a wide variety of genres and design approaches. I also included a bonus holiday preset of my own design, “Super Snowman”.

As with the last pack, the student’s name is included in each preset — but I’d also like to post an alphabetical list of the designers, to highlight their contributions. For this, several students also opted-in to include links to their social media.

The pack is a free download that you can grab at the below link.

Download: Xfer Serum Preset Pack (Winter 2018)

Happy Holidays!

Xfer Serum Toolkit 3 Arrives

And now, a word from our sponsor… After over a year of development, Serum Toolkit 3 has finally arrived. For this pack, every patch includes original wavetables and samples, created from scratch using physical modeling and hi-res sampling. Many of the techniques used in this library are explained in my Serum Masterclass for Electronic musician.

In addition to the original wavetables, the pack also includes a huge number of sampled attacks, plucks, guitars, pianos, and percussion instruments. These elements add complexity to the wavetable oscillators and are a major departure from the usual “Serum sound”.

I also included updated Macros, including the new “XFORM” knob, that morphs between two completely different sounds. This basically doubles the number of presets to 200 - and lets you customize the results with a single knob.

Here’s a link to the pack, for Serum fans who are interested in checking out my design work - and as always, I’m happy to answer specific questions regarding these presets via my Contact link.

Serum Toolkit 3: https://xferrecords.com/preset_packs/serum-toolkit-3

With Serum Toolkit Vol. 3, iconic sound designer Francis Preve takes his Toolkit series to the next level. Featuring 100 custom wavetables based on physically modeled instruments and 70 sampled transients and decays - including recorded guitars and percussion - every core element in Toolkit Vol. 3 is original.


The #Vanlife Mobile Studio

In Jules Verne's Twenty Thousand Leagues Under The Sea, the motto of the Nautilus was "Mobilis In Mobili", which is roughly translated from Latin as, "moving amidst mobility", "moving within the moving element", or "changing in the changes".

Pretty apt for the #vanlife thing, right?

After posting several adventures on Instagram, I received quite a few questions about the specifics of my mobile rig, so here's a full summary of the Galileo III production equipment—with links for those who are interested in more info on each item.

Field recording is covered by the Roland R-07, which is—by far—my favorite portable hi-res stereo recorder. The fact that I can use my Apple Watch or iPhone as a remote (placing the recorder on a table or closer to critters) is just icing on the cake. A full review of this unit can be found here.


The iPad Air 2 with Logitech Type+ keyboard is loaded with every relevant iOS music app. That said, my main software tools for mobile composing and production are Korg Gadget and Kymatica AUM. Gadget is simply the most complete composition tool available for the iPad—and it also exports mix stems to Ableton Live. Better still, if you own the MacOS desktop version of Gadget, it will export complete projects to Live, with MIDI clips that use Gadget's bundled array of specialized VST and AU synths.

Korg Gadget, Doss Touch Speaker, Korg NanoKey Studio

AUM, on the other hand, serves as a comprehensive hub for mixing IAA, Audiobus, and AUv3 apps and effects plug-ins, with everything synced and also available wirelessly via Ableton Link. For example, with AUM I can combine Gadget and Fugue Machine, with Rozeta controlling synths like the amazing and totally free Synth One, then apply effects. Upon returning home, I can then export the results as a mix or stems for later use. It also has options for recording audio via my latest mobile interface, the CEntrance MixerFace R4.

CEntrance MixerFace R4 self-powered interface with Kymatica AUM (and my indestructible MDR-7506 headphones)

CEntrance MixerFace R4 self-powered interface with Kymatica AUM (and my indestructible MDR-7506 headphones)

The MixerFace is wholly unique, as it's the first (and so far, only) mobile interface with an integrated rechargeable LiPo battery. This lets it do neat tricks like power 48V condenser mics with super clean pre-amps and an integrated headphone amp. It's also the only interface I own that supports AUM's 32-bit resolution, with 192kHz sampling rates. Admittedly, I don't multitrack with those settings because my current iPad crumbles under the stress of keeping up with that resolution, but it's nice to know it's there when I inevitably upgrade the rig.

Combined, those two apps make iOS a legitimate recording platform for general tasks and road compositions that I can finish later at my studio. For MIDI, Korg's NanoKey Studio adds keys, drum pads, and knobs for the iPad. It sends that performance data via Bluetooth and shockingly, latency has never been an issue. It always feels like magic...

For taking analog on the road, MeeBlip's incredibly practical BlipCase contains a set of four Korg Volcas: Volca Beats (drums), Volca Bass (three discrete analog oscillators), Volca Keys (3-voice analog paraphonic), and the Volca Mix for gluing the three units together and adding an input for the iPad or MixerFace. These form the core of my on-the-go performance rig, with the iPad running Moog's Animoog app for soloing. I got that idea after seeing Suzanne Ciani perform live with her Buchla 200e and Animoog at Ableton Loop 2016. The Volcas may not be a Buchla, but on the road, they're far more practical (and affordable).

Surprisingly, monitoring in the van isn't too tricky. In addition to my 20-year-old Sony MDR-7506 headphones (indestructible, affordable, and surprisingly flat), I use Vmoda Zn earbuds which sound fantastic and are quite sturdy. As for sound moving though air, I use the Doss Touch Bluetooth speaker, connected via cable to the iPad headphone output. It covers the basics and sounds full enough to compose bass lines. The Doss has an integrated SD card reader in addition to its analog jack, making it useful for reviewing field recordings from the R-07. I've even plugged the Volca rig into the Eurovan's stereo for additional referencing.

If I'm doing a preset project for desktop software I'll bring my laptop, but I generally prefer doing design work in the studio for optimal monitoring. The above rig has met my needs on every trip—and when I'm traveling light, it's just the iPad, NanoKey, R-07, Doss speaker, and Vmoda earbuds.

And if you've made it this far, follow the journey on Instagram.

Master Class: DSI OB-6

It’s no exaggeration to say that Dave Smith Instruments’ OB-6—a true collaboration with Tom Oberheim—has quickly become one of the most sought-after analog polysynths of the 21st century. By combining elements of Smith’s own Prophet 6 with the filter topology of the Oberheim SEM, the OB-6 is capable of textures that are unlike any other analog poly to date.

For this Music Radar Master Class, I won’t be rehashing the generalities of analog synthesis. Instead, the focus is on programming tricks and techniques that highlight the possibilities lurking within the OB- 6. It’s also worth noting that several of the tricks in this tutorial also apply to the Prophet 6, thanks to its similar architecture, so proud owners of that synth may find a few tidbits they can use as well.

LINK: https://www.musicradar.com/how-to/how-to-master-the-dave-smith-instruments-ob-6